New York Times

A Mozambican Newspaper With a Difference

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The author brings to light a Mozambican newspaper – named @Verdade – which does not follow traditional financial models, and has in turn become a “tool for change”. The name of the newspaper curiously contains an @ symbol. Their English language website can be found here. 

By Roberto Valussi, 27th August, 2013

Today marks the 5th anniversary of the birth of a very rare creature in the contemporary media landscape: an independent, respected, profitable, popular and free newspaper. The square was circled not in some glitzy borough of London, but in Maputo, the capital of Mozambique.

The product in question is the weekly newspaper @Verdade (‘Truth’ in Portuguese, the country’s official language), which has become the most read national newspaper since 2010, only two years after its first number was fit to print. Its slogan is ‘A Verdade não tem preço’, which translates to, ‘the Truth is priceless’.

@Verdade is more than a newspaper; as its founder Erik Charas put it, “I did not start the venture for the business or for the media aspect. My intention was to uplift the country, to contribute in order to do change.”

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A Mantle of Illusion – The Drone Program and President Obama

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The drone program has considerably intensified under the Obama administration. As the American press and congress are only now waking up to this fact, the silent response from the White House shows the president is not quite the peacekeeper he projects himself to be.

By Gulshan Roy, 26th February 2013

Drones. You hear about them spying from everywhere though you can never see them. At last, however, you may now luckily read quite a lot about them in the written press. On February 6th, The New York Times revealed that air-strikes conducted in Yemen came from unmanned armed vehicles (UAVs) from an American military base in Saudi Arabia. Since, every hawk and every dove of every state in America made sure to have their screeching and cooing heard on the issue, drowning the debate in their deafening staccato. Why so much agitation, you may ask?

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