Compliant disobedience and remembered forgettings.
By Arvind Iyer, 20th June, 2014
The past: a new and uncertain world. A world of endless possibilities and infinite outcomes. Countless choices define our fate: each choice, each moment – a moment in the ripple of time. Enough ripple, and you change the tide… for the future is never truly set. -Charles Xavier, X-Men:Days of Future Past
Ma-Lo is an amateur short film in Malayalam released in 2012, and was well-received in the film festival circuit in the state of Kerala, widely considered one of the more socially progressive states in India. The film has for its setting the rapidly urbanizing and ambivalently modernizing contemporary Indian mindscape where sexual mores are in flux, forcing a reconsideration of default notions of commitment, fidelity and personal autonomy. The short-film, though admittedly not intended as an activist intervention, lends itself to a wider discussion of the autonomy of individuals and societies in lifestyle choices and policy-making. This discussion considers both the unexploited scope of such autonomy (which postmodernist critiques help bring to light), and also of some objective constraints on such autonomy (which no postmodernist reformulation can wish away). Here, archetypal ‘breakups’ and ‘regime changes’ are treated as illustrations respectively of the individual and collective exercise of human autonomy when faced with an ‘irrevocable past’. The presentation will be in a lounging format that has become popularly associated with the Slovenian cultural critic and translator Slavoj Žižek switching nonchalantly between ‘cultural theory’ and ‘geopolitical commentary’. Much of the article hereonward references the short-film, that can be viewed below.
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